La Cite des Mortes
| 2005 | Jean Christophe Rampal,Marc Fernandez |
| FR | http://www.lacitedesmortes.net/nav.php?id=4 |
País : France
Ano : 2005
Produtor : Upian
Equipe : Alexandre Brachet,Estelle Larrivaz
Tecnologia : Flash,Google Earth,photography,Video
Técnicas : Interactive mosaic,Locative,Photography,Skeuomorphic design,Video
Ciudad Juárez, está localizado na forntera de USA-Mexico, é considerada uma das mais perigosas cidades da terra. Desde 1993, mais de 400 mulheres tinham sido assassinadas e a maioria dos crimes ainda permanecem sem resolver, inclusive sem investigar, como a corrupção e sua relação com a violencia das drogas que dizimam as instituições civis.
Esta obra é a companheiao on-line para o livro O tue de qui de ville eles femmes, enquête à Ciudad Juárez (A Cidade que Mata as Mulheres: Inspecionar de Ciudad Juárez) assim como para o documentário de Canal+ do mesmo nome, o documentário interativo produzido pela Upian La Cité des Mortes (A Cidade do Morto) rememora as vítimas de Ciudad Juárez e conta as histórias de ativistas e investigadores que lutam por justiça. Fotografias e vídeo documentário incorporando com imagens do Google Earth, o site também explora a narração de historias digitalmente-habilitada por um dispositivo locativo.
La Cité des Mortes foi um dos primeiros web documentarios, estreiado em 2005 deois de varios anos de desenvolvimento. Montado em Flash, o projeto ganhou em 2006 o premio Click d’Or.
FONTE: docubase.mit
Gaza/Sderot
| 2008 | Alex Szalat,Joël Ronez,Susanna Lotz |
| AR,DE,EN,FR,HE | Url : http://gaza-sderot.arte.tv/ |
País : France
Ano : 2008
Produtor : Alma Films/Trabelsi Productions,Arte, Bo Travail!, Ramattan Studios, Upian
Equipe : Alexandre Brachet, Arik Bernstein, Gregory Trowbridge, Osnat Trabelsi, Sébastien Brothier, Serge Gordey, Upian, Yousef Atwa
Technologias : Flash, photography, Video
Técnicas : Interactive Documentary, Interactive mosaic, Locative, Mapping, Photography, Video
FONTE: docubase.mit
Fort Mcmoney
|
|||||
Pais : Canada
Ano : 2013
Produtor : Arte,National Film Board of Canada,Toxa
Equipe : Clément Guillou,Dominic Mercier,Romain Prache
Técnicas : Animation,Collaborative Storytelling, Confessional,Game,interactive,Interactive Documentary,Interviews,Journalism,Mapping,Participatory
Premios e Nomeações : Best Interactive Documentary Festival International du Film de l’environnement,Best Interactive Documentary Gémeaux,Grand Prix Boomerangs Interactive Documentary,Knowledge & Education Category Grimme OnLine Award,Site of the day FWA,Special Mention Jury Visa d’Or RFI-France 24
Enquanto a afluência dos forasteiros se mistura continuamente com o contingente local, Forte McMurray também é o chão para debates entre representantes de grandes empresas que querem empurrar a indústria petroleira para frente, ambientalistas que vêem os perigos ecológicos de explorar as fontes petroliferas de Canadá e os políticos que estão enredados em decisões de processos fundamentais.
FONTE: docubase.mit
Out my Window
| 2010 | Katerina Cizek |
| EN | Visit the project: http://interactive.nfb.ca/#/outmywindow |
Pais: Canada
Ano: 2010
Produtor : National Film Board of Canada
Equipe: Gerry Flahive,Helios Design Lab,Imaginarius
Designers : IMAGINARIUS
Tecnologias : 360 Video, Flash, photography, Yellowbird
Técnicas : 360 Video, Audio, interactive, Interactive Documentary, Interactive Map, Interactive mosaic, multimedia, Panorama, Participatory, Photography,
Premios & Nomeações: IDFA DocLab Award for Digital Storytelling,International Digital Emmy Award,Webby Award
Os aranha-céu residenciais são as unidades residenciais mais comuns construidas nos últimos 50 anos. Highrise e uma iniciativa do “National Film Board of Canada” que ao longo de um quinquênio veio explorar o impacto na vida de quem mora num aranha-céu atendendo dimensões sociais, culturais e ambiental.
Out My Window e o projeto inaugural deste projeto, nele a diretora Katerina Cizek documenta as vidas de moradores de apartamentos em cidades tão diverso quanto Toronto, Havana, Istambul e Phnom Penh. Para sua produção Cizek e seu equipe têm a colaboração dos residentes desses edifícios como de cineastas ou videomakers profissionais e fotojornalistas das cidades escolhidas no recorte (umas 100 pessoas no total). Cizek ocasionalmente filmou no local, ela geralmente dirigiu remotamente o projeto desde sua base de Toronto usando o telefone, Skype, e-mail e mídia sociais para comunicar com colaboradores locais.
Refugee Republic
| 2014 | Dirk Jan Visser,Jan Rothuizen,Martijn van Tol |
| DU,EN | Url : http://refugeerepublic.submarinechannel.com/ |
Pais : Netherlands
Ano : 2014
Produtor : Submarine Channel
Equipe : Aart Jan van der Linden, Christiaan de Rooij, Jorgen Koolwijk, Yaniv Wolf
Desenvolvedores: Aart Jan van der Linden
Designers : Christiaan de Rooij
Tecnologias : CSS,Javascript,jQuery,photography,Video
Técnicas : Audio, Illustration, Interactive Map, Interviews,Mapping, multimedia, Parallax scrolling, Photography, Video
Premios e Nominações: Dutch Design Award,Webby Award Nominee
Refugee Republic is an interactive documentary that allows you to explore everyday life in Camp Domiz. Scroll through hand-drawn maps, drawings, photographs, and short video impressions. You will discover that there is another world behind the images you see in the media. A world that is not all that much different from yours and mine.
We’ve all seen the images. People desperately waiting for help outside in the blazing sun in front of rows of white tents. A child behind barbed wire, covered in dust, gazes into the lens of a news camera. But that’s just part of the story.
Camp Domiz is a Syrian refugee camp in northern Iraq. Around 64 thousand predominantly Kurdish-Syrian refugees have sought shelter here. As the number of refugees grew, the camp gradually transformed from a temporary refuge to a makeshift town, where people live and work, go to school, start a business, get married, argue and have fun.
Visual artist Jan Rothuizen, journalist Martijn van Tol, and photographer Dirk Jan Visser explored Camp Domiz from A to Z (see also our video profile). They bring to life its inhabitants and places in a multidimensional mix of sound, drawings, photo and film.
Some of the people you’ll meet in the documentary are Ahmed, who skips school to look after his bird stall. The busy circumcision doctor Shixmous. The mechanic Ahmad, who set up a tuk-tuk garage in front of his tent. And Fatma, a teenager who dreams of finding her big break as a singer on Youtube.
The and us
| Url : www.theand.us |
Country :
Year :
Producer :
Team :
Developers :
Designers :
Technologies :
Techniques :
Awards & Nominations :
Hibridos
| Url: http://www.Hibridos.cc |
Pais:
Ano :
Produtor :
Equipe:
Desenvolvedores:
Designers :
Tecnologias :
Técnicas :
Premios e Nomeações :
Come/in/doc
| Url : |
Pais:
Ano :
Produtor :
Equipe:
Desenvolvedores:
Designers :
Tecnologias :
Técnicas :
Premios e Nomeações :
DoNotTrack-Doc
| 2015 | Brett Gaylor |
| DE,EN,FR | Url: https://donottrackdoc.com/en/episodes/ |
COUNTRY : Canada,France,Germany
YEAR : 2015
PRODUCER : Arte,BR,National Film Board of Canada,Upian
TEAM : Akufen,Alexander Knetig,Alexandre Brachet,Christian Daubner,Gilles Freissinier,Gregory Trowbridge,Hugues Sweeney,Jason Staczeck,Louis-Richard Tremblay,Margaux Missika,Marianne Levy-Leblond,Marie-Laure Lesage,Marie-Pier Gauthier,Richard Gutjahr,Sandra Rodriguez,Vincent Glad,Virginie Raisson,Zineb Dryef
DEVELOPERS : Emmanuel Durgoni,Maxime Quintard,Nicolas Menet,Romain Avalle
DESIGNERS : Sébastien Brothier
TECHNOLOGIES : Facebook API,HTML5,Popcorn.js,Video
TECHNIQUES : Audio,co-creation,Collaborative Storytelling,Data Visualization,generative media,Infographics,interactive,Interviews,Journalism,Personalization,Series,Video
Our sensitivity around privacy is not developed because everything we’ve been talking about is pretty new. For people to see “Wait that’s me? That’s happening to me every single day?” That’s why we do the personalization, so that people can have some sort of emotional experience around privacy.
Brett Gaylor, director of Do Not Track, to Docubase
Do Not Track is a personalized web documentary series about internet privacy directed by Brett Gaylor and co-produced by NFB, Arte, BR, and Upian. Every two weeks, a new personalized episode is released, looking at a different aspect of how the web is increasingly becoming a space where the users’ movements, speech and identities are recorded and tracked.
Exploring the implications of online tracking from mobile phones to social networks, personalized advertising to big data, Do Not Track seeks to inform audiences about the methods and tools trackers use while helping them taking steps in order to ensure their privacy online.
Man With A Movie Camera: the Global Remake
| 2007 | Perry Bard |
| CH,EN,ES,FR | Url : http://webenact.rhizome.org/man-with-a-movie-camera-the-global-remake/20160217142125/http://dziga.perrybard.net/scenes/show/2 |
Produtor: Cornerhouse,ENTER_,Lumen,Site Gallery in association with the BBC,The Bigger Picture
Equipe: John Weir,Steve Baun
Tecnología : Flash,photography
Técnicas: co-creation,community generated,Crowdsourcing,Database Storytelling,Participatory,Remix,Video
Premios & Nomeções: Prix Ars Electronica
…..
As Lev Manovich has argued, Vertov’s film is itself a database of loosely connected shots that synthesize a depiction of the working day in the early Soviet Union. Building on this database structure, Bard has created a platform where users may submit their own visual interpretations of any of the 1,276 shots in Vertov’s classic. Once uploaded, software developed specifically for this project selects from the submissions to collate a new version of the film, which is streamed on the site alongside the original with a soundtrack composed for the project by Steve Baun.
The images and videos in Bard’s archive are often made on mobile phones; they may be either original submissions or lifted by users from the web. “One of my persistent concerns,” Bard writes, “is the question of access, the digital divide, who is included, who is left out.” In order to ensure that her submissions database includes images from a diverse pool of contributors in cultural, linguistic, and geographic terms, Bard commissioned twelve foreign correspondents based in Brazil, Lebanon, Israel, Columbia, Pakistan, Russia, Serbia, Japan, China, Korea, Mexico, and Thailand.
Links
Interview with the artist by Evelin Stermlitz posted Dec 1 2008 on Rhizome.
FONTE: docubase.mit e rhizome.org
Pais:
Ano :
Produtor :
Equipe:
Desenvolvedores:
Designers :
Tecnologias :
Técnicas :
Premios e Nomeações :
Territórios Expandidos do Conhecimento no Documentário Contemporâneo 